Pecci Milano works at the Museum of Pinot Gallizio, Fabio Mauri, Mario Merz and Superstudio 
Return to the mythic origins of life, traveling in the Cave of antimatter. Is it possible? And, conversely, we will be able to figure out the futuristic tomorrow? Or live in an artificial world where the boundaries between real and virtual experiences come together? Things to fantasy literature, but it is not the plot of a new film by Dan Cameron, but the beginning of a show which opens in Milan. We are therefore not in a center of space physics, but Museo Pecci Milano, that from December 16 until March 26 , guests invited to the trip. Part 1 - Proposals from the collection of museum environments. Four large-scale installations made: the Cave of antimatter Pinot Gallizio, Luna Fabio Mauri, the spiral appears Supersuperficie Mario Merz and Superstudio.
first stage of exploration in the Italian art of the last fifty years, Sin has, in his charming home in all industrial archeology Ripa di Porta Ticinese 113 (Milan), a " Away ", which brings us to the end of the 50 in the" industrial painting environment "Gallizio, which already had prophetically announced the cancellation of the space-time divisions, and the artist's own words," prefigures the prehistory of the so-called atomic age ". Suggestive and involving the installation / environment that the work of Mauri Moon (1968), simulates the planet satellite through a dark room lit by a bright light source that recreates the moonlight, while walking on the praline spread on polystyrene floor, there seem to move around a hypothetical lunar dust.
Situationism Community trends of the hippies, and subsea equipment for space missions and "non-physical architecture of ideas" only the ingredients and Supersuperficie visionary film, a project designed Superstudio microenvironment. Dated 1971-72, this project had the ambition to foreshadow "an alternative model of life on the earth. "It is 1990, however, the work presented by Mario Merz. The spiral appears. In this large installation, the artist has created" a total work "which, dispersing and concentrating around a core ideal, circumscribes the exhibition space by wrapping it organically, to suggest the infinite fecundity of nature and its dramatic weakness.
(Elena Bordignon - from Vogue)
0 comments:
Post a Comment